Books / Catalogs / Folios
2020
Orbitals is a book that explores sequences of abstracted motion and considers circular orbits and their choreography. The image sequences can be animated through the mind’s eye or by using a GIF app on a smart device.
Printed by Alex Arzt of A Magic Mountain
Distributed by the artist
Softcover. Staple binding. Eight pages.
Edition of 100
2019
Motion can manifest in meditative beauty or cataclysmic change. Velocities is a Risograph book inspired by the widening circles on the surface of a pond and undulations below ground during an earthquake.
Printed by Alex Arzt of A Magic Mountain
Distributed by the artist.
Softcover. Staple binding. Eight pages. Edition of 100
2016
Rotationals is a Risograph book inspired by the vanes of a windmill. Each page presents an image sequence that can be animated through the mind's eye or by using a GIF app on a smart device.
First edition printed by Lower Falls at AGA LAB Knust Press
Second edition printed by Ge Wasco at AGA LAB Knust Press
Distributed by the artist
Softcover. Staple binding. Eight pages. First edition of 100.
Second edition of 200
2024
In the past 10 years, Risograph printing has shifted from being a niche printing method to a fully realized and ubiquitous method for creating artist publications and ephemera for micro and small press publishers. Exhibition curators Amy Burek (Awkward Ladies Club) and Zach Clark (National Monument Press) bring together artists and publishers from across North America who use Risograph printing as a central element in their works.
Essays by Amy Burek, Zack Clark and Amelia Grounds
Distributed by San Francisco Center for the Book
Softcover book.
Perfect bound. Seventy-six pages. Edition of 150
2022
Artwork by Sarah Klein and David Kwan, from the POLAR series (Yellow, Blue and Pink). for pianist Anthony Coleman and drummer Brian Chase debut album, Arcades.
Distributed by Chaikin Records
1LP/Digital Album
2021
Ideal Engagements is a Risograph portfolio featuring the work of 15 members of the California Society of Printmakers who all work primarily in traditional printmaking methods.
Curated by Mary V. Marsh and Zach Clark
Distributed by National Monument Press
Portfolio. Edition of 150
2020
A calendar that can be used (and reused) to bring forth celebration and add a little levity to each month.
Printed by Alex Arzt of A Magic Mountain
Distributed by the artist.
Softcover. Staple binding. Twenty-six pages. First edition of 100. Second, third and fourth edition of 200.
2019
Published for Klein’s solo exhibition Lost Holidays at Telematic gallery in San Francisco. Lost Holidays celebrate life’s flowering in the face of its passing away. Klein’s images are full of rich colors and playful patterning. Yet, they are ultimately reductive: a sustained meditation on time and change, which are emphasized through a juxtaposition of still and moving images.
Introduction by Clark Buckner
Distributed by Telematic
Softcover book.
Perfect bound. Twenty-two pages.
We Live In Real Time
Printed Matter/St Marks put out an open call for mail art submissions with the prompt We Live In Real Time. As a medium, mail art felt especially relevant at the outset of the COVID-19 pandemic—sending art through the postal system allows for a new type of physical connection between people, places, and ideas. Klein submitted I See You Celestial, a card and envelope collage.
Printed Matter’s collection, New York
2018
Color gradients as they might appear from dawn to dusk. Each page is screenprinted over layers of previous ink drawings, written observations and other images. The artifacts recede as the gradation of colors turn to a darker hue. Created for the Sketchbook Project.
Initially in the collection of the Brooklyn Art Library. Distributed by the artist.
Softcover. Sewn bound. Thirty pages. Edition of 1